The five musicians of Mint Condition have been consistently dropping soul-touching music for two decades. Their lyrics engage. Their musical diversity entertains. And their vocals enrapture. The group originally from Minneapolis, Minn, does not disappoint on their seventh album, 7. Prince and Flyte Tyme influenced music, Standouts include "Can't Get Away", “Not My Daddy,” a searing duet with Kelly Price, the beautiful ballads “Walk On” and “Caught My Eye,” the Purple funk “Ease the Pain,” and a calypso joint, “Bossalude.” While their line up has changed a bit over the years, the music has only gotten better. The guys share their creative process and how they’ve managed to last so long in the unpredictable and constantly evolving music business.
What do you know now that you wish you knew 20 years ago when you first started in the music business?
Ricky Kinchen: Whew! Keeping it real? The importance of publishing.
Stokely Williams: That’s real. And to a savor it, because you have a lot of great experiences. If you sleep on it, it’s gone.
Lawrence Waddell: I would love to savor a couple more moments than I did—just the beginning a little more when we were in top five pop songs and I wasn’t realizing what the significance of that was. That was a really good place to be and not an easy place to be.
Tell us about the process of creating the single, “Caught My Eye.”
Waddell: “Caught My Eye” is a beautiful groove ballad—classic Mint. Great lyrics, you know the way you want a man to approach you. The song is kind of an experience written by Stokely and myself. Stokely had some tracks I was listening to—all the guys have stores of songs you can listen to and pick which one you’re inspired by. I toyed around with some lyrics to go with the track I liked. That’s how we write. The lyrics were inspired by an actual coffee house experience I had. I saw a girl I’d seen around in a few different places. I talked to her and she was really nice. I left and she left. And I never saw her again.
So what is the feel of the rest of the album?
Waddell: We’re just trying to be honest about our lives. We fall from grace sometimes. And there are songs about that. There’s a redemptive side to the album. In general, we don’t limit ourselves, and liberation that comes from that place. If I’m in a calypso mood, there may be steel drums on that track.
Kinchen: It’s Mint Condition, though. We have all the things you’re going to expect. You’re going to love it.
Jodeci, LeVert and Tony! Toni! Toné! had No. 1 hits on the R&B charts in 1991 when you guys dropped your debut. There are only a few who are still doing it at your level. What accounts for your longevity?
Kinchen: Being in the game for all these years and still being able to have hits on the radio is a blessing—and that is for all of us. It’s a blessing being able to work together and still create good music. Take E-Life: “Nothing Left to Say” was in the top five for 11 months. We’re competitive, even with each other. You have to come with it or else people aren’t going to feel it.
Homer O’Dell: One thing we do have is a lot of great fans. They patiently wait on the next project every time. They stick with us. They are behind us 100 percent. We are blessed to have die-hard fans. And they give us the opportunity to stretch out and do other things besides radio hits.
Kinchen: Yeah, we’ve had black musicians who play with Charlie Wilson say we were the first to turn them on to Rock & Roll. That’s how we grew up. Our parents had Parliament, War, Earth, Wind & Fire, Band of Gypsies, Jimi Hendrix. We weren’t just listening to hip hop. We listened to all different types of music.
O’Dell: I would go over to Andre Symone’s (Prince's childhood bestfriend and his first bass player) sister’s house to listen to the only R&B radio station. It must have been like 100 watts. I was like Radio Raheem on the back to the school bus blasting all the hits. That’s how we grew up in Minnesota. We had that opportunity to listen to more than R&B...The Minneapolis Sound!
Mint Condition Bio
MINT CONDITION EMERGES TRIUMPHANT IN 2011 WITH NEW CD, CONCERTS OPENING FOR LEGENDARY ICON PRINCE, STINT AS TV ONE HOUSE BAND, TOP 20 HITS & MORE NEW CD '7' CELEBRATES THE BAND’S 20TH ANNIVERSARY
Once upon a time there were great funk/R&B bands like Earth Wind & Fire, The Meters, War, Kool & The Gang, Slave, and numerous others who constantly broke down musical barriers. The musicality of these units was superior – they could rock or funk out as easily as they could move the crowd with a tenor soulful ballad. The rise of electronic music gradually undermined self-contained bands but in the 90s a dynamic young new band emerged—Mint Condition, now the greatest self-contained R&B band of our time. Anointed early on by superstar producers Jimmy Jam and Terry Lewis (formerly of the band The Time), Mint Condition does it all—delivering hard-bitten funk with a hip hop edge, rocking out with screaming lead guitar, and crooning lush, "baby-making" soul ballads. The much sought after band, who mark their 20th Anniversary this year, has amassed a string of hits and performs hundreds of live shows each year. In the Fall of 2010 when Prince took the podium at the legendary Apollo to announce his "Welcome To America," and his plans to feature his favorite artists, it was no shock to many that Mint Condition was among them. The only band on his list that day? Mint Condition. During the month of February, TV One tapped Mint Condition as the house band seen and heard every night on the show "Way Black When," which celebrated the biggest African American stars throughout the 70s, 80s and 90s. With not one but two current hit singles on board—the sumptuous "Caught My Eye" and lead singer Stokley's duet with Kelly Price, "Not My Daddy," Mint Condition marks the 20th anniversary of its first chart hit with the release of 7… (Mint Condition’s seventh studio album) due out on Shanachie Entertainment/Caged Bird April 5, 2011.
"This time around we decided to not let ourselves become bogged down with strict thematic or musical boundaries," notes keyboard player Larry El. "We wanted, instead, to do a project that would be expressive of life's multi-facets. For the first time in our career, we looked back into our own musical catalogue for inspiration and resources. Without being a direct throwback, 7… weaves threads of nostalgia into the musical mix. It's kind of an ode to Minneapolis, Mint Condition style." 7… sounds unlike anything else in the R&B world -or any other world—today, once again demonstrating that Mint Condition is one of those rare artists on the scene with their own unique sound. Along with Mint Condition's bedrock funk and R&B balladry, elements of jazz, rock, and hip hop come into the mix. They have always delivered these elements live but here they are a part of their studio work. Nothing is formulaic or routine with Mint Condition, starting with the opening tracks "Can't Get Away" and "I Want It," which are seamlessly linked to play straight through, to "Twenty Years Later," an off-the-wall narrative depicting a 47 year-old addict wondering what happened to the last twenty years of his life, which opens with acoustic guitar and climaxes with an ironic jaunty Vegas-style vamp. It is the kind of organic creativity that only Mint Condition could achieve, an extra ingredient that years of playing together make it possible for them to deliver. In an era dominated by singles, 7… is truly an album, designed to be heard as a whole.
"Each member of the band is equally invested in both the music and the group itself," Larry El explains
"So when performing we can more readily live on the edge, musically speaking, where its most interesting, and still not lose t he original spirit and intent of the songs. Any given member can readily play what any other member is thinking or feeling." It is this kind of organic, edgy creativity that has made Mint Condition one of Prince's favorite artists. "In many ways, he (Prince) continues to be a mentor for us," says guitarist O'Dell. "He's a musical genius yet is never condescending. He has a way of making you feel he's your biggest fan—we certainly are his! He's the best. Watching him perform always sends you back to the shed; you know you still have work to do."
An unusual fact for a funk/R&B band that can also rock out, is that some of Mint Condition's biggest hits have been ballads and 7… delivers several more great ballads that are destined to be classics including the inspirational "Unsung," "Not My Daddy," the duet with Kelly Price and Stokley, with its unique lyric take on male/female relationships and, of course, the first hit single from the album, "Caught My Eye," with subtle lyrics that stand head and shoulders above the "sex you up" love ballads dominating the scene today. "The lyrics (of "Caught My Eye") tell it all," relates Stokley, who wrote the tune with Larry El. "It's a literal translation. But, at the heart of it all, is vulnerability. We have all felt those `first encounter' butterflies before. The band knew everybody would be able to relate to that."
The members of Mint Condition met as teenagers growing up in the Twin Cities—Minneapolis-St. Paul amidst a thriving music scene energized by Prince, The Time, Jam & Lewis, The Replacements, Soul Asylum and many other artists. Keyboardists Lawrence El and Keri Lewis, guitarist O'Dell, keyboardist/saxophonist Jef, drummer/vocalist Stokley, and bass player Ricky came together in the performing arts program at Central High School. Playing together in different combinations led to them forming Mint Condition; a gig at the famed First Avenue club in 1989 caught the attention of super-producers Jimmy Jam and Terry Lewis, formerly of The Time, and they were signed to Jam & Lewis' Perspective Records. MEANT TO BE MINT, their debut album, was released in 1991. Their first single, a New Jack Swing-styled number, had only modest success but it was a ballad, "Breakin' My Heart (Pretty Brown Eyes)," which has become one of the classic R&B ballads of our time, that was their breakthrough, hitting #3 on the R&B charts and #6 on the Pop charts, with the follow-up "Forever In Your Eyes" hitting #7 on R&B charts. Mint Condition was established as a gold-selling act. Further hit singles and albums followed, with "U Send Me Swingin’," "Someone To Love" and "So Fine" all hitting from the FROM THE MINT FACTORY album, "What Kind Of Man Would I Be" (another acknowledged classic) and "You Don't Have To Hurt No More" from DEFINITION OF A BAND.
Meanwhile the band earned its spurs as a live act, touring relentlessly and, unlike so many artists, delivering not only a performance equal to their studio work but one which often surpassed it. As a result, their legions of fans would turn out for a Mint Condition show whether they had a current hit out or not. After Perspective Records folded, Mint Condition signed with Elektra, delivering more hits with "If You Love Me" and "Is This Pain Our Pleasure" from the LIFE'S AQUARIUM album. In the early 2000s the group took a break from their relentless recording and touring schedule. They resumed as a quintet with only keyboard player Keri Lewis absent (though he sometimes re-joined them for specific shows releasing a new album LIVING THE LUXURY BROWN on their own Caged Bird label in 2005, hitting again with "I'm Ready." Their high-energy live performance was captured with the release of LIVE AT THE 9:30 CLUB and then 2008's E-LIFE yielded another hit with "Nothing Left To Say.
Two decades on, Mint Condition stands along with The Roots as the only high-profile examples of a self-contained, hit-making Black music band, and with Mint's emphasis on songs and great singing, the sole band carrying on the great tradition of R&B funk bands such as Earth, Wind & Fire, The Meters, War, The Commodores, Lakeside, Slave and many more that were an important, progressive element of the black music scene in the Seventies and Eighties. "We're fortunate that people have come to expect us to march to our own drum, musically speaking," says bassist Ricky. And even though we have carved out our own unique creative path, we've always been well embraced."
7 - full album tracklist:
01. Can't Get Away02. I Want It
03. Walk On
04. Mind Slicker
05. Caught My Eye
06. Bossalude
07. 7
08. Ease The Pain
09. Unsung
10. Not My Daddy (featuring Kelly Price)
11. Twenty Years Later
7 - album bonus songs tracklist:
01. Whatchu Want 4:40
02. Cupid’s Hunt 5:28
03. Bless A Woman & A Man 5:09
04. Nothin Left To Say (Live Yoshi’s San Francisco) 6:20
05. I’m Ready (Live Yoshi’s San Francisco) 5:48
